VERS003VERS003  y:#M2H.,JI@ + DFE *>3  %  K0 6C9ON)A&!7<G4/  ?B1 85$; ( "-='LOBritish Romantic Poetryc*=b William Blake=c*= Lord Byron>=c*=William Wordsworth>8 =a John Keats>A"=c*= P. B. Shelley=c*=Samuel Coleridgec*=Romantic Motifsc*=Lines Written In Early Spring=ctSThe World Is Too Much With Us=fThe Freedom Motifc*=Freedom =c*=MInnocence/The Child Withinc*=]Glory of the Common Manc*= Individual Experiencec*= NaturePp-.dCSpiritual Valuesterial Valuesri^FShe Walks In BeautyPp  The TygerPp The LambPp _PThe Garden of LovePp eP Bright StarPpdOde on a Grecian Urnpd OzmandiasPpd Kubla KhanPpdlGreater Romantic Lyric =leaves>= A =5<chapel>= A =P"self-convincing A =2Thou Shalt Not= A =3Rpriests>= A =4rgarden>= A =OePersona Meditating on:Naturerso8;ttheme`5|X=@ 1770-1850>= =$lspeaker/listener>P>8 =)r Inner Joy 4>=(sPersona Meditates on Nature=cWhat Man Has Lost  P=_"tThe Poet/Himself=) periwinkle>= A =<igrove>==7tflowers>==Febirds ߀==rtwigs}>P>8 n=iair>==ereligion>= A =ea lamenting>N\==frself-convinvingر@~  abcb cdcd ...}>P>8=+iiambic tetrameter=/ questioning>==Yspeaker>==:Tlistener>==:poetwd>P>8 d=9PSimple Pleasures>8 n='Lyric n= =T 1757-1827>N\= =Hsubject/situationSh=@اn Poet/Himself>=  =%weeds>= A ==harsh>= A =0saddenedX>N\= A =-@critical߀=  =.Persona Meditat  =_Seeing Oneness=  =@.Love n=  =IFreedom of Desire  =JFreedom of Thought  =KFreedom of Feeling  =LPolitical Freedom  =Me Adult/HimselfB==AdultNl Child/Lamb>=-=DChild>=-=ZnLamb>=-=Xjwonder>=-=[naabbccaa>=-=\xOde: Intimations of Immortality`rMy Heart Leaps Up$=aName in Other Direction@Name in One Directione in O@ illustrated inrillustrated i illustrates ia illustratespoet2Ȭ>8poetn= wroterittnpwroteB Ba is one of they is one of theincludeheyiinclude BI _TONNVH nCp?"Q؟(n@@,ʜ@@,ʜN 8 n /Hn0X@?B@.2motif in22motif in= contains motifmcontains motin^/. Hz$Hn?< NHnNL employed inmpi employed in employs insiemploys h ISs, documentSpec = "::::NV/ depicted in! depicted in!depictsessddepicts Ze@/Bg?N0 _A20DA=A revealed throughrevealed thro reveals aughr reveals ah _VJ0@C q P/Bg?. NR0 _dates:sddates:=datdates:sdddates: hH nB@(r @W n"nBABBimageryiimagery Bimaimageryiiimagery~Z WnHnN:<B-pFfR nB@=@showillusrshowr= illustrated bysillustrated b ؜ nB@n؜\ n2.؜BB0is=} P. B. Sheis=isexample ofiisj==:>JGgt n///.?<?HnدN exemplifieswes exemplifies exampleZ=example xbN>`` pFfB-ֽLN^.Nu reflected in reflected in reflects=ereflects= nppingKeepStripNVmֽB-ֽ is example of@ is example ofofiasofj== _Kg S?(*Nj~`(l8`GLis revealed insis revealed ireveals insireveals~Z B_JV g>Bg/. THhHspeaker/listenereaker/listespespeaker/listenerspeaker/listeXngBg/. mHh,g~(лJrhyme scheme inrhyme scheme rhyme schemer rhyme scheme\-NV/-2 n//-2 n/N^.personified inpersonified i personifiesp personifies 0B/.؅/.Hn؉BgHnHnN j-_خtone>8ttone  tontone>8tttone B B.fǭHnN j-_خ/</./.خ rhythm inhymes rhythm in rhythmymesrrhythm B ./HnؘHnؚ/.ؘHnN GHn/is included in syntax ofluded isyntax includessyntax includ V@ؙHnؿNJ>JGgACp Q؟diction4= 4 questionidicdiction=ddiction=:1gخNJ>JGgACp Q؟=Gis included ineis included iincludesin@iincludes B RgNJ>JGgACp Q؟0` contrasted in contrasted in contrastsfmc contrasts P@@,ʜ@@,ʜfHDD9P D       n Pn<* QQt  e o s' ?A , 0; 0e 2%o 32g 4 !i '"p# 7 <#i'ECEN8((x%&o$( i + -2.o0F26?,,O@--s3+ t ;;e+G== -/>>/|+<</ G3G * **-!/""57 )_65 99  !+)*3n+=55/44'8##B''  A A<BB@Q' Bk+ 616 C07V: $C@@ D&z EJJ FKK GLLH?% NO>O 7_'&1Md9SSJYN4T!! VRF KUUn4ZV8JWUYLX.gM[+ \EC]I]G'^R?N$O`` S T WZcc^/d6d 0b,[ PHmڬHn/< N^ _\ONNVH(n&n ..,.*.(.BN/?<HnHnؘHnؚ/.ؘHnN GHn/Ng D GCp Q؟/?<HnHnؘHnؚ/.ؘHnN EHn/Ng D ECp Q؟/?<HnHnؘHnؚ/.ؘHnN FHn/=n؟BgN0.؟_]/BgHnد/Hn?.؟N" /N /Bg?.؟N .Vg Hn؟N`BgHnدHn?.؟NNBg?.؟N.Wg=n؟`8B`4Jn؟f=|؟` HnدHn?.؟NNgHn؟N=n؟LN^ _ޟ NNV؟/Jng40.R@/BgN2 =A؟>`Spiritual values God, one's inner life, life's purpose, unity are often held to be more important that material values in Romantic poetry.<<@=|@<>KK 64 64K 6.<? 6H 6.K>&l concept Romantic poetry idealizes nature and suggest we've "got to get ourselves back to the garden." The man-made world is often shown to be at odds with the natural world. Nature is a place to rediscover one's natural goodness. (Rousseau)K>&l concept In a "Greater Romantic Lyric" (term first used by Wordsworth) a sensitive persona meditates on a scene from nature and he returns a richer and wiser man because of thoughts. Often such poems take the form of a one-sided conversation. =A؟>`0S@??N"And much it grieved my heart to think . . ." (Lines Written...) Shown through contrast of past and present garden in The Garden of Love.إ99@=|@<>KKllKl9? concept "And 'tis my faith . . ." "And I must think, do all I can . . ."؟77@=|@<>KKnnKn7ɥ? =pnK>&l concept