Creative Execution
Home
Contact Instructor
Lectures
J318 Teams
Feedback

The Creative Execution:

Connecting with the head and heart

What is the "Big Idea?"

  • A selling premise
  • A unifying theme
  • Identifies the:
    • adv. objective
    • key customer benefit or product feature
    • provides support
    • USP or positioning

Developing the "Big Idea"

  • Creative plan (aka "the creative brief," or  "creative platform")
  • Objective and Appeal  Considerations
  • Format for messages

Appeal Considerations

  • Hard sell vs. Soft Sell
  • Lecture vs. Drama

Format

  • Straightforward
  • Demonstration
  • Comparison
  • Humor
  • Problem
  • Slice-of-life
  • Spokesperson or testimonial

Tone

  • Angry, pushy, fear, friendly, warm, excited, etc.
  • Humor most effective
  • Humor must center around "big idea" or selling premise.

Disadvantages of Creative Ads

Types of Appeals or "Big Ideas"

  • Price or Value
  • Quality
  • Star Appeals and Testimonials
  • Ego Appeals
  • Fear or Anger
  • Sensory
  • Sex, love, social acceptance
  • Novelty

Television Advertising

The formats

  • Demonstration
  • Problem and Solution
  • Music and Song
  • Spokesperson
  • Dialogue
  • Vignette
  • Narrative

 

Guidelines for Writing TV Copy

  • Creates a mood
  • Excellent for demonstration
    • sight and sound
  • Challenges
    • Must be sensitive to visuals. Words do not stand alone.
    • Timing.  Copy must related with video
    • Has to carefully fit all information in and around visual
  • Heavy reliance on producer, director, and copywriter.
    • Road map = the storyboard

 

No part of this site may be reproduced or used as original work,  without permission in writing from the author.

Copyright © 2000
Published by: Cynthia M. Frisby, Ph. D
University of Missouri-Columbia
Missouri School of Journalism
Department of Advertising
76F Gannett Hall
Columbia, MO  65211