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introduction to film (1895-1950)

 

daily schedule

week 1

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Mon., Aug. 22: Screening: It Happened One Night (1934) | handout

Tues., Aug. 23: Lecture: Classical Hollywood Cinema | lecture outline

Thurs., Aug. 25: Reading: Read over syllabus, schedule, and other items posted on the course website

week 2

Mon., Aug. 29:  Screening: The Great Train Robbery (1903); Traffic in Souls (1913) | handout

Tues., Aug. 30: Lecture: A “Cinema of Attractions” | lecture outline

Thurs., Sept. 1: Reading: Cook, Ch. One

week 3

Mon., Sept. 5: NO CLASS  (Labor Day) | handout

Tues., Sept. 6: Lecture: D.W. Griffith and the Origins of American Narrative Film | lecture outline

Thurs., Sept. 8: Reading: Cook, Ch. 3

week 4

Mon., Sept. 12: Screening: Nosferatu (Murnau, 1922) | handout

Tues., Sept. 13: Lecture: German Expressionism’s Visual Storytelling | lecture outline

Thurs., Sept. 15: Reading: Cook, Ch. 4

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week 5

Mon., Sept. 19: Screening: M (Lang, 1931) | handout

Tues., Sept.20: Lecture: European Influences on American Narrative Cinema | lecture outline

Thurs., Sept.22: Reading: Cook, Ch. 9

week 6

Mon., Sept. 26: Screening: Public Enemy (Wellman, 1931) | handout

Tues., Sept. 27: Lecture: The Coming of Sound | lecture outline

Thurs. Sept. 29: Reading: Cook, Ch. 7

week 7

Mon., Oct. 3: MIDTERM EXAM (timed for 1 hour); Screening:  Possessed (Brown, 1932) | handout

Tues., Oct. 4: Lecture: Pre-Code Films and the Sensational Stories They Told | lecture outline

Thurs, Oct. 6: Reading: no reading assigned

image from allposters.com

week 8

Mon., Oct. 10: Screening: Rebecca (Hitchcock, 1940) | handout

Tues., Oct. 11: Lecture: Hitchcock and the American Studio System | lecture outline

Thurs., Oct. 13: Reading: Cook, Ch. 8

week 9

Mon., Oct. 17: Screening: Citizen Kane (Welles, 1941) | handout

Tues., Oct. 18: Lecture: The Legacy of Citizen Kane | lecture outline

Thurs., Oct. 20: Reading: Cook, Ch. 10

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week 10

Mon., Oct. 24: Screening: Double Indemnity (Wilder, 1944) | handout

Tues., Oct. 25: Lecture: What Is This Thing Called Noir? | lecture outline

Thurs., Oct. 27: Reading: Cook, Ch. 11 (pp. 372-385 only)

week 11

Mon., Oct. 31: Screening: Leave Her to Heaven (Stahl, 1945) | handout

Tues., Nov. 1: Lecture: Film Noir’s Visual Style | lecture outline

Thurs., Nov.3: Reading: Spicer, excerpt from Film Noir (download pdf, 10 MB)

week 12

Mon., Nov. 7: Screening: The Naked City (Dassin, 1948) | handout

Tues., Nov. 8: Lecture: The Documentary Noir | lecture outline

Thurs., Nov. 10: Reading: Naremore, excerpt from More than Night (download)

week 13

Mon., Nov. 14: Screening: Meet Me in St. Louis (Minelli, 1944) | handout

Tues., Nov. 15: Lecture: The Hollywood Musical | lecture outline

Thurs., Nov. 17: Reading: None

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week 14

Nov. 21: Thanksgiving Break

week 15

Mon., Nov. 28: Screening: The Bicycle Thief  (De Sica, 1948) | handout

Tues., Nov. 29: Lecture: Brutal Tales of the War: Italian Neorealism | lecture outline

Thurs., Dec. 1: Reading: Cook, Ch. 11

week 16

Mon., Dec. 5: Screening: Singin' in the Rain (Kelly/Donen, 1952) | handout

Tues., Dec. 6: Lecture: The Self-Reflexive Musical | lecture outline

Thurs.: Dec. 8: Reading: None (study for the final!) BRING BLUEBOOK

exam week

Final Exam: Monday, Dec. 12, 6:30 p.m. (Allen Auditorium) | take-home question

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updated December 11, 2005