Week 10 : April. 06
Storyboard, filmic language, composition rules

Storyboard

The Animation Process

3D digital Animation (by Pixar)

What is a Storyboard?
A storyboard is a graphical representation of a complete animation.
A storyboard is a kind of "cartoon" of the "scenes" of a piece of writing.
Storyboarding is the process of producing sketches of the shots of your script.
The end result looks like comic book of your film.

Where storyboards are needed?
1. Film industry
2. Business and Politics
3. Architecture

Why we need storyboards?
In short, it contributes to making the quality of your final animation much better.
Storyboard = an excellent tool for planning a production (Pre-Visualize the idea)+ tool for communication with others (Clearest Language)

Benefits in General (for various fields)
Storyboarding helps a group visualize what they are discussing
It reduces time spent in undirected discussion
It allows all participants to share ideas equally regardless of extroversion or introversion
Participants feel empowered in the decision making process
It identifies and organizes ideas
Decisions and action items can be assigned by group consensus

Storyboard Style
Since the only criteria storyboards must meet is ease of execution and reproducibility, most storyboards are rendered with a fast, easily controlled medium such as pencil, ink and charcoal dust or dry marker for color work.

If you think you can't draw??

Sample Storyboards

the Star Wars 'Troops" by Kevin Rubio (http://www.theforce.net/troops/)
The Gladiator by Sylvain Despretz (www.directorsworld.com)
The Matrix
TV Storyboard Samples
Movie Storyboard Samples

Dave's Descent
3D Animation : untitled yet?
3D Animation : 'the Kiss'
3D Animation : A Journey to Mars

Storyboard Tutorial (Josh Sheppard's Storyboard site)

Storyboard Related Links

Guidelines (Storyboard Assignment Due on Friday, 4/13)
Download Storyboard Template

1. The storyboard should be neat enough to be read clearly. I do not expect to receive precision art work, but I should not need any assistance in translating scribbles either.
2. The storyboard MUST represent a COMPLETE animation. Completed projects will not be accepted before a storyboard is approved.
3. Every element to be included in the storyboard. This includes

- Graphic Images
- Verbal description (i.e. Illustrating Camera Techniques)
- Transition
- Sound
- Duration for each frame


Filmic Language

Mise-En-Scene : In French, "putting in the scene." Originally the term described the physical production of a play : the sets, props and staging of a scene.

Montage
: From the French term "to assemble." In European film montage is a description of the editorial process. In Soviet film, under the influence of the early Soviet directors, particularly Sergei Eisenstein, montage represented the very essence of film art. In the United States, montage has a special meaning, referring to a concentrated narrative device, usually lasting only a minute, in which a portion of the story is expressed without dialogue using a series of dissolves to connect short, expressive, often symbolic shots.

Shot (long shot, full shot, medium shot, close up, deep focus shot), scene, sequence, cut (match cut, cut away, jump cut, simple cut…), transition

Frame Per Second (24fps : movie, 15fps : exercise, 30fps : tv)

Camera Angles
Five basic camera angles (Louis Giannetti : Understanding Movies)

1. bird's eye view : A camera angle where the scene is observed from high above, looking down

2. high angle : A camera angle, where the scene is observed from higher than eye level, looking downward.
"high angles tend to suggest entrapment, powerlessness, or assailability (Giannetti)".

3. eye-level shot

4. low angle : : A camera angle, where the scene is observed from lower than eye level, looking upward

5. oblique angle : "oblique angles suggest tension, transition, and impending movement (Giannetti)"

 


Basic Elements of Composition
(Frame Aesthetics)

It's important to understand basic rules giving a harmonious arrangement for your each featured frame.
These rules are derived from Painting and Photography.
However, be flexible. There is no rule without exceptions.

Placing the center of interest
- The two simplest methods for placing the center of interest are the rule of thirds or the golden section
- Both methods offset the center of interest from the picture center
- The rule of thirds divides the picture edges into thirds and places the center of interest on one of the four intersections
- The golden section uses a mathematical means of dividing the picture to give a naturally pleasing composition

rule
of
thirds
golden
section
(1: 1.62)

Rule of thirds

- Divide the height and width equally into 3 sections
- Place the center of interest on near one of the red points
- On or near the inside horizontal 1/3 lines are also a good guide for placing the horizon line

Golden Section


The golden section has been used by artists for centuries as a mathematical way of dividing a line or rectangle to give a harmonious division.
An approximate way of finding the point is to divide each side into 13 and then count 8 along as shown above.



Aesthetic Scale and proportion

Throughout history, the ratio for length to width of rectangles of 1.6180339887 49894 84820 has been considered the most pleasing to the eye.
This ratio was named the golden ratio by the Greeks. In the world of mathematics, the numeric value is called "phi", named for the Greek sculptor Phidias. The space between the collumns form golden rectangles. There are golden rectangles throughout this structure which is found in Athens, Greece.


Don'ts

- Don't position the subject centrally in the picture
- Avoid positioning the horizon line half way up the picture

Balance

The Frame should be in balance tonally

Dominant Object


Add an "Echo"

One of the ways of adding balance is to include an echo of the dominant object


References:

Film directing shot by shot - visualizing from concept to screen - Steven D. Katz
The Art of the Storyboard: Storyboarding for Film, TV, and Animation - John Hart
Storyboarding 101 : A Crash Course in Professional Storyboarding - James O. Fraioli
Understanding Movies - Louis D. Giannetti

Acting with a Pencil : Storyboarding your Movie
The Story of Storyboarding By Marie Wallace
Storyboarding with Iain McCaig
Sotryboard : what, when, how, what
Despretz on Storyboarding 'Gladiator'

Josh Sheppard's Storyboard site
Storyboarding 'Pit Pony'
Dreamworks & TV animation, sample story board
- Dave's Descent -Storyboards

3D animation Storyboard
3D animation storyboard for the title animation of "the Kiss".
3DAnimation Storyboard: A Journey to Mars.